Bernadette Mayer to Read at TSL

Bernadette Mayer

(HUDSON, N.Y.) – Avant-garde writer Bernadette Mayer will read from her work at Time & Space Limited on Friday, March 3, at 6:30pm. Bernadette Mayer: An Evening of Poetry will include a supper of Mexican food at 6:30pm, followed by an introduction by writer Karen Schoemer, and a poetry reading and discussion with Bernadette Mayer starting at 7:15pm.

Bernadette Mayer is an avant-garde writer associated with the New York School of poets. Her collections of poetry include Midwinter Day (1982, 1999), A Bernadette Mayer Reader (1992), The Desire of Mothers to Please Others in Letters (1994), Another Smashed Pinecone (1998), and Poetry State Forest (2008). Mayer’s newest collection, Works and Days (2016), is a finalist for the National Book Critics Circle award.

Known for her innovative use of language, Mayer first won critical acclaim for the exhibit Memory, which combined photography and narration. Mayer took one roll of film shot each day during July 1971, arranging the photographs and text in what Village Voice critic A.D. Coleman described as “a unique and deeply exciting document.”

Mayer’s poetry often challenges poetic conventions by experimenting with form and stream-of-consciousness; readers have compared her to Gertrude Stein, Dadaist writers, and James Joyce. Poet Fanny Howe commented in the American Poetry Review on “Midwinter Day,” a book-length poem written during a single day in Lenox, Mass.: “In a language made up of idiom and lyricism, Mayer cancels the boundaries between prose and poetry…. Her search for patterns woven out of small actions confirms the notion that seeing what is is a radical human gesture.”

“The Desire of Mothers to Please Others in Letters” consists of prose poems Mayer wrote during her third pregnancy. She also combined poetry and prose in “Proper Name and Other Stories” (1996). Reviewing that collection in the Lambda Book Report, Susan Landers noted Mayer’s “Steinesque syntactical play, her meta-narrative maneuvers à la Barth or Borges, and a language poet’s interest in language.”

Bernadette Mayer

Ange Mlinko’s review of “Two Haloed Mourners” (1998) in the Poetry Project Newsletter describes its structure: “The book starts out dense, vagrant, proceeding on a combination of automatic writing and methodical structural repetitions. It picks up speed, changes gears from poetry to prose and back again, tries out a sestina where both beginning and ending words recur. … Then something explodes midway through the book, as though all this formal experimentation was the rumbling and smoldering of Mt. Saint Helens erupting over the circumstances of Bernadette Mayer’s move back to the Lower East Side from New Hampshire, where what was menace in the air of rural America is met head-on in the New York of Reagan and Wall Street.”

Bernadette Mayer has worked as an editor and teacher. She edited the journal 0 TO 9 with artist Vito Acconci and established United Artists press with the poet Lewis Warsh. United Artists Press, under Mayer and Warsh, published several influential writers, including Robert Creeley, Anne Waldman, James Schuyler, and Alice Notley. Mayer has taught at the New School for Social Research and the Poetry Project at St. Mark’s Church in New York City. In 2015, she was the recipient of a Guggenheim Fellowship.


Reservations: (518) 822-8100 or

Time & Space Limited / 434 Columbia / Hudson NY /

Bernadette Mayer: An Evening of Poetry

Supper & Reading: Friday, March 3 at 6:30pm

Tickets: $10 member / $15 general (includes supper)




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